Room Upstairs

The woman who called up the stairs was not Gina Pardue, and she was not a stranger, either, though I had never in my life heard her voice. She stood at the bottom of the staircase in a gray work coat with her hand on the banister, a woman in her forties with dark hair going silver at the temples, and when I came down with the spiral notebook against my chest, I stopped on the fourth step. She looked up at me. It was like looking at myself in a pond.

“Charlie?” she said, softly. “I am Hannah. I think you have my room.”

I sat down on the stairs because my legs would not hold me. She told me the story right there, in the front hall of a house that smelled of lemon oil and old wood, with the afternoon sun coming through the green shutters. She was the daughter of my father. In 1980 he had been a young shop teacher, newly widowed from a first marriage no one had told me about, and he had a brief and unhappy romance with a woman in Nashville. A baby was born. He did not know until Hannah was sixteen.

The mother of Hannah had written to him in the spring of 1997. She was sick, and she wanted him to meet his child. He drove to Nashville that very week. He bought a white house in Cookeville that same summer, paid cash, and brought Hannah to live there while her mother recovered. For four months, he told her, they ate pancakes on Saturdays and he taught her how to change the oil in a Chevrolet. She hung posters on the wall of her bedroom upstairs. She put a school photograph on her mirror.

A father who is given a second chance late in life may spend the rest of it keeping the door open, in case the child decides to come back.

Then the mother of Hannah died in September, and Hannah, grieving and furious, accused my father of arriving too late. She said terrible things. She packed a duffel bag and walked out of that front door on a Friday, and she did not look back. She went to live with an aunt, finished school, became a nurse in Memphis. She was too proud to write, she told me now, and then too ashamed, and every year the silence grew thicker until neither of them could find a way through it.

My father never stopped. He bought the house and he kept the room as it was, with the cheerleader shoes by the closet and the gel pens on the desk. He mowed the lawn every Saturday in case she drove by. “I did not know,” I said to her, half crying. “Hannah, I did not know. He never told me.” She nodded. She said he had been afraid I would think less of him. She said she understood now, a little. She said she had been parked across the street on a hundred Saturdays, watching him, unable to cross.

“Why did you come today?” I asked. She smiled, and it was the smile of my father, the one that crinkled his eyes. She said Gina had called her the night he died. She had stood in the back of the funeral home in a black scarf, and I had walked right past her. She had wanted to tell him a thousand things, and she could not. So she had come to the house, where the key still opened the lock, and sat for an hour on the porch swing, waiting for someone to find her.

We stayed in that house until dark. I made a pot of coffee in the old percolator, and Hannah showed me the pencil marks on the kitchen doorframe where my father had measured her height. Sixty one inches. Sixty three. She had grown two inches in four months. I touched each mark, and she touched them too, and by the time the streetlights came on, we were laughing in the kitchen like two girls who had grown up in the same house after all.

She has her own key now. We changed nothing about the house except the sheets. On Saturdays she comes in from Memphis, and we sit on the porch swing with the coffee and the radio, and sometimes we let the grass grow a little long. Her daughter, my niece Maya, is seventeen, and she sleeps in the room upstairs when she visits, under the purple quilt, with the same posters on the wall. She says it feels like being hugged by someone who died.

Last spring, we held a small gathering in the yard, and I put a pot of yellow flowers by the door with a card. It said Hubert Fenn, who kept the porch light on. Hannah read the card twice and touched the clay. Then she took my hand, and we went out together to the mower, and I turned the key, and my sister, for the first time in her life, pushed that machine across the lawn of the white house on Dogwood Lane all by herself.

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