I had to sit down, because inside that napkin was a mans wedding ring, worn thin with wear, and the moment I turned it to the light and read the tiny engraving inside, my breath left me. It was Raymonds. The wedding band he lost in 1978 and mourned for the rest of his life.
He had cried over losing that ring, my proud strong Raymond. He was tossing a football with the boys outside the diner one summer evening, and it slipped from his finger, and though we searched every blade of grass we never found it. He wore a plain replacement after that, but it was never the same to him. The first one had my promise in it.
And here it was, in the bottom of the jukebox, wrapped in a napkin, hidden on purpose.
It came to me slow, and then all at once: some good soul had found that ring in the grass outside all those years ago, seen the engraving, and not knowing whose it was, tucked it into the one safe place in the diner where it would wait to be claimed.
Marge must have known, or come to know, and left it right where it lay, trusting the machine to keep it until the day it found its way home. And home it came, into my hands, with Patsy Cline playing the very song we married to.
I sat there a long while holding both his rings, the lost one and the one he wore to his grave, together in my palm at last after forty-odd years apart, the way Raymond and I were together, and are together still, in every way that outlasts a body.
I had the two bands soldered into one, his lost ring and his last ring joined, and I wear them now on a chain around my neck. Raymonds promise, come back to me whole.
I like to think of that ring riding in the dark of the jukebox all those years, waiting, the way love waits, patient and certain, for its moment to come round again. It always does. I have a chrome Wurlitzer and a soldered ring and forty-two years of memories that say so.
