Under the oilcloth was a leather diary that wasn’t written in English, a small stack of photographs, and a folded letter in my father’s hand, addressed to a name none of us had ever heard.
The diary belonged to a young soldier on the other side — a man about my father’s age at the time, with a wife and a baby daughter in the photographs. My father had taken it from him in the worst hour of his life, the day the two of them met in a war that gave neither one a choice.
He never spoke of it. But he never let it go, either.
The letter explained the rest. For fifty years my father had carried that man home in a footlocker, and for fifty years he had tried to find the family in the photographs so he could give it back. Late in his life, with the internet and a translator’s help, he finally found them — the baby daughter, an old woman herself now, still living in the same town. He wrote her a letter. He never worked up the courage to send it.
I took something from your father that was not mine to take. I have kept it safe for a lifetime. Please let me give it back before I go.
He ran out of time. So I finished it for him. I found her — she was still there. I sent the diary, the photographs, and my father’s letter across an ocean to a daughter who had never known what happened to her father, only that he never came home.
She wrote back. She said that for seventy years her family had tended a grave with no one in it, and now, at last, they had his words, his face, his final days — carried and protected all that time by the very man who had been on the other side.
Two old soldiers, both gone now. But their children wrote to each other. Some wars end long after the shooting stops.
