The Old Block

“Brad, stop the car,” I said. He did not. He rolled the Lexus up to the press house and cut the engine, and the headlights threw our shadows across my father stone wall. The black SUV with the California plates sat idling twenty feet away. The driver door opened and a woman in a camel coat climbed out. I knew her. Marisol Vega, general manager of the Napa group, the same sharp, kind woman who had tasted the old vine Riesling with me three summers running. She walked up to my window, and she tapped the glass with one gloved knuckle. “Good evening, Mr. Abernathy,” she said. “I think we should talk.”

Brad could not get his mouth to work. He fumbled for the buttons and the window went down halfway. “Ms. Vega,” he said, with that real estate smile, “what a surprise. I was just showing Gene some of the property.” She did not smile back. “Mr. Hollis, you called my office on Tuesday and said you represented the owner of the old block. You said he was ready to sell the nine acres to a third party, and that under the right of first refusal, we would need to act by Friday.” She looked past him to me. “I said we would meet here. I also called Mr. Abernathy lawyer.”

The press house door swung open, and out stepped my lawyer, Frank Dimarco, in his overcoat and an old Cornell scarf, with the woman from the county clerk office beside him. Her name was Doreen Pike. She was the woman in the gray wool coat. “Gene, I am sorry for the cloak and dagger,” Frank said, kindly. “Doreen called me at nine tonight. I have been waiting in that cold building for two hours. I turned the lights on with a generator.” He raised an eyebrow at Brad. “Mr. Hollis, I believe you have a paper for Gene to sign. May I see it?”

A quitclaim deed came to nothing, a seventy four year old vine stayed home, and a box of cheap wine got a place on the shelf.

Frank read the quitclaim by the dome light. He read it slowly, and then he smiled, which Brad did not like. “Gene, you may remember that in the spring of 2023 you gave a conservation easement on the old block to the Finger Lakes Land Trust,” he said. “It runs with the land forever. Nobody can sell it, develop it, or transfer it to any company without the permission of the Trust. This deed is not worth the paper it is written on.” Brad stared at him. “That is not on the county record,” he said, hoarsely. Doreen Pike held up a thick envelope. “It was recorded on April the fourth,” she said. “I stamped it myself.”

Marisol Vega folded her arms. “Mr. Hollis, you did not just misunderstand the contract,” she said. “You read a confidential clause that you were never entitled to read. How did you get it?” Brad slumped. “It was in the file cabinet in Gene den,” he said. “Courtney asked me to find her mother recipe cards, and I saw the folder. I only wanted to help. I thought if the old block were sold to an outside company and your formula paid out, I could set up a deal to share the proceeds. Lake View Holdings is mine.” He swallowed. “I owe a lot of people, Gene.”

Headlights swept up the gravel road. A small blue Subaru bumped over the ruts and stopped, and my daughter climbed out in her party dress with her heels in her hand. Courtney. Someone at the restaurant had told her that her husband had left with me and she had followed. She walked to the Lexus and looked in at Brad, and I have never seen such a look on a human face. “Tell me,” she said. “All of it.” He told her. When he finished, she stood in the cold with her shoes in her hand and did not cry. “I laughed at my father,” she said to nobody. “I raised a glass.”

I got out of the car. I put my arms around my daughter, who is fifty two years old and who has my wife chin, and I held her while the snow began to come down. “Courtney, you did not know,” I said. “Maybe not,” she whispered. “But I did not ask, Daddy. I let Brad tell me who you were.” Marisol Vega stepped closer. “Mr. Abernathy, my company has no interest in profiting from a stolen clause,” she said. “We would like to make a different offer. Your daughter has a degree in hospitality, I believe. We need a manager for the tasting room.”

Brad moved out in November. The lawyers took care of the rest, and I will not say more except that his real estate license was suspended for a year, and that he wrote me a long letter of apology that I read once and put away. Courtney managed the Abernathy Cellars tasting room that spring, in a barn coat, pouring for strangers with her mother patience. Every Saturday she asked me to come down and tell the story of the vines, and every Saturday I did, and I found, to my surprise, that I did not mind being asked.

I kept the old block exactly as my father planted it. The Finger Lakes Land Trust walks it every June. On the first warm Saturday of May, Courtney and I pruned it together, and when the sun dropped behind the lake I opened one bottle of the 2019 Riesling, the last vintage Ruth ever helped me make. We drank it from two paper cups on the hood of my truck. Courtney held hers up to the light. “Daddy, I never knew it tasted like this,” she said. “Like what?” I asked. “Like somebody loved it,” she said.

That Franzia box sits on a shelf in my kitchen to this day, red bow still attached, right beside a photograph of Ruth. Visitors always ask about it. I tell them it was a gift from a man who thought a winemaker never made a dime. Then I pour them a glass from the old block, and I let them taste what a dime is really worth. Courtney usually laughs at that. She says the box is the only good thing Brad ever gave me, because it taught her how to tell value from price.

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