The Second Chair

I drove to the shop at six the next morning with the key in my fist and my husband in the passenger seat, because I did not trust myself to go alone. The sign on the door still said Closed in the faded red letters my father painted in 1979. Inside it smelled of talcum and bay rum, and the light through the front window fell across the three chairs in a row, just as it always had. I stood in the doorway a full minute. Then I walked to the second chair and got down on my knees.

The floor under it was old linoleum in a checkerboard of green and cream. A single square near the chrome base was a shade cleaner than the rest, as if someone had lifted it many times and set it back. My husband found the edge with a butter knife. The tile came up with a soft crack. Beneath it was a hollow in the boards, lined with a feed sack, and in the hollow lay a tin cash box wrapped in a barber cloth and tied with white string. The knot of my father. I knew it from every shoelace of my childhood.

I opened the lid on the cold floor of the shop. There was a thick brown envelope. There was a small black ledger. There was a photograph of a young man in a cap, squinting into the sun beside a river, with the date June 1992 written on the back in the hand of my father. And there was a letter, folded in thirds, addressed to me. It began, Dana, if you are reading this, then Curtis has finally come, and I am gone, and you have been brave. I sat back on my heels and read it aloud for my husband.

The most faithful keeper of a secret is one who never mentions it and never forgets it, one haircut at a time.

My father explained everything in a quiet, plain voice. Ellis Rood had been the bookkeeper of a trucking company on the river, and he had seen the second set of books, the one that hid the drivers and the cargo. He told the federal prosecutors in 1992. The company was run by a man named Boyd Kerr, and Boyd had a cousin on the county force and a brother named Curtis who worked for my grandfather before he went bad. The faked drowning was meant to buy Ellis time. A marshal had arranged it. My father was only to cut his hair, and to keep his mouth closed.

The ledger was the proof. Every month for thirty one years my father had recorded a visit, a telephone call, a letter from the marshal service, each one in pencil, with a date and a few words. He had kept the record of a man who could not keep it himself. The envelope held a signed statement from Ellis, notarized in Cincinnati, naming Boyd Kerr and nine others, with the account numbers of three banks. My father had written across the front, To be opened only by the Marshals. Not by Curtis. Not by anyone in this town.

I called the number on the last page of the ledger. It rang in an office in Columbus, and a woman answered who sounded as though she had waited a long time for that call. Within the hour, two deputy marshals were at the shop, a man and a woman in plain jackets, treating the tin box like a sacred object. They photographed the floor. They took the envelope. The woman, whose name was Deputy Alvarez, put a hand on my arm and said, “Madam, your father kept a promise that most men could not keep for a week.”

They moved fast after that. A grand jury in Cincinnati heard the statement in November. Boyd Kerr, now eighty one and living on a farm in Meigs County, was arrested at his kitchen table. Seven others were charged. Curtis, my uncle, ran. He made it two days. They found him at a motel in Huntington, with a small suitcase and a pistol he did not use. When the deputies came to the door he sat down on the bed and said, in a voice I would not have recognized, “I am tired. I am so tired.”

Ellis Rood came to Gallipolis on a Saturday in December, after thirty one years. He was seventy eight, tall and stooped, with thin white hair he had clearly cut himself. He walked into the shop with a cane and stood in the middle of the floor looking at the three chairs. He wept openly. He said my father had saved his life more times than he could count, and that the haircuts had been the best part, a half hour of kindness once a month in a stranger world. I led him to the second chair and he sat down in it.

I did not know what I was going to do until I did it. I took the old black cape off its hook, snapped it around his neck, and picked up the best shears of my father from the drawer. I had never cut a head of hair in my life, but my father had taught me to hold the comb when I was seven. I trimmed the white hair above his ears, slowly, carefully, the way I remembered. Ellis closed his eyes. Nobody in the shop said a word. The only sound was the small bright click of the blades.

We kept the shop. I take Saturday mornings, and a young barber named Terrell works the rest of the week. Above the second chair we hung a framed photograph of my father in his white coat, holding a pair of scissors up to the light and grinning at whoever held the camera. Under it a small brass plate reads, He kept the faith with every customer. Ellis comes by every month, the first Saturday, for his cut. He always asks for the second chair, and I always say it is waiting.

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